ЗЕМЛЯ TRE. № 5. 2020 г.

Библиография: References: Ames, К. М. 2002. Going by boat. The forager-collector continuum at sea, in Beyond Foraging and Collecting. Evolutionary Change in Hunter-Gatherer Settlement Systems, eds. Fitzhugh, B. & Habo, J. New York: Kluwer Academic / Plenum Publishers, 19-52. Bakka, E. 1988. Helleristningane pa IJammer i Beitstad, Steinkjer, Nord-Trondelag: granskingari 1977og 1981, Trondheim. Baudou, E. 1993. Hallristningama vid Namforsen - datering och kulturmiljo, in Eko- nomi och naringsformer i nordisk bronsalder, eds. Forsberg, L. & Larsson, Т. B. Umea: Umea Universitet/Arkeologiske Institutionen, 247-61. Bing, К. 1912.1lelleristningsfund ved gaarden Vingen i Rugsund. Ytre Nordtjord. Old- tiden.Tidsskritl lor norsk forhistorie. 11( 1912), 25-38. Boe, J. 1932. Felszeiehnungen im westlichenNorwegen, Bergen. Chappelle, 11.1. 1994. Chapter Seven: Arctic skin boats. In The Bark Canoes and Skin BoatsofNorth America, in The Bark Canoes and Skin Boats ol'North America, eds. Adney, E. T. & Cahapelle, FI. I. Washington. DC: Smithsonian Institution. Engelstad. E.S. 1934. Ostnorske ristninger og malinger av den arktiske gruppe, Oslo: Aschehoug. Europaeus. A. 1917. Kalliomaalaus Vittraskin rannalla Kirkkonummella. Suomen Museo, 1917,45-51. Europaeus, A. 1922. Hallmalningama vid Vittrask. Finska Fomminnesforeningens tidsskrift, XXXIKI), 61-7. Forsberg, L. 1993. Eli kronologisk analys av ristningama vid Namforsen, in Ekonomi och naringsformer i nordisk bronsalder, eds. Forsberg, L. & Larsson, Т. B. Umea: Umea Universitet/Arkeologiske Institutionen, 195-261. Forsbeig, L. 2000. The Social Context o f the Rock Art in Middle Scandinavia During the Neolithic, in Myanndash. Rock art in the ancient Arctic, ed. Kare, A. Rovaniemi: Arctic Centre Foundation Rovaniemi. 50-87. Fuglestvedt, 1.2017. Rock Art and the Wild Mind. Visual Imagery in Mesolithic North­ ern Europe. London / New York: Routlcdge. Gjerde, J. M. 2010. Rock art and Landscape. Studies of Stone Age rock art from north­ ern Fennoscandia, in University ofTromso Tromso. Gjerde, J. M. 2013. Stone Age Rock Art and Beluga Landscapes at River Vyg River, North-west Russia, Fennoscandia archaeologica, XXX, 37-54. Gjerde, J. M. 2016. Marine Ventures in Stone Age rock art of Fennoscandia, in Marine Ventures Symposium Proceedings, eds. Bjerck, H. B. & Fretheim, S. Sheffield, UK: Equi­ nox Publishing, 337-54. Gjerde,.I. M. 2017. Aboatjouney in rock art «from the Bronze Age to the Stone Age- from the Stone Age to the Bronze Age» in northernmost Europe, in North Meets South, eds. Skoglund, P., Ling, J. & Bertilsson, U. Oxford: Oxbowbooks, 113^13. Gjerde, J. M. & Steberglokken, H. 2018. What we see is what we get - Seeing Sand- halsan with new «eyes», in Giving the Past a Future - Essays in Archaeology and Rock Art Studies in Honour of Dr.Phil.h.c. Gerhard Milstreu eds. Dodd. J. & Meijer, E. Oxford: Archaeopress, 215-30. Gjessing, G. 1932. Arktiske helleristninger i Nord-Norge. Oslo: Aschehoug. Gjessing, G. 1936. Nordentjclskc ristninger og malinger av den arktiske gruppe, Oslo: Aschehoug. Gjessing. G. 1945. Norges steinalder, Oslo: Norsk arkeologisk selskap : I kommisjon: Tanum. Glorstad. H. 2010. The structure and History of the Late Mesolithic Societies in the Oslo Fjord Area 6300-3800 BC, Lindome. Sweden: Bricoleur Press. Hagen, A. 1976. Beigkunst:jegerl'olkets helleristninger ogmalningeri norsk steinalder. Oslo: Cappelen. Hallstrom, G. 1938. Monumental art o fNorthern Europe from the Stone Age. The Nor­ wegian Localities, Stockholm: Thule. Hallstrom, G. 1960. Monumental art of northern Sweden from the Stone Age : Nam­ forsen and other localities, Stockholm: Almqvist & Wiksell. Helskog. K. 1983. Helleristningene i Alta i et tidsperspektiv - en geologisk og mul- tivariabel analyse, in Folk og ressurser i nord. Foredrag fra Trondheimssymposiumet om midt- og nordskandinavisk kultur 1982, eds. Sandnes. J.. Osterlie, I. & Kjelland, A. Trond­ heim: UniversiteLsforlaget, 47-60. Helskog, K. 1988. Helleristningene i Alta : spor etter ritualer og dagligliv i Fitinmarks forhistorie, Alta: K. Helskog; distributor: Alta museum. Helskog, К. 1989a. Helleristningene i Alta i et nordlig perspektiv. Kronologi og sym- bolisme Iskos, 7,67-75. Helskog. K. 1989b. Naturalisme og skjematisme i nord-norske helleristninger, in Framskritt lor fortida i nord : i Povl Simonsens fotefar, eds. Utne, A., Bertelsen. R. & Rcy- mert, P. K. Tromso, 87-104. Helskog, K. 2000. Changing Rock Carvings - Changing Societies. A case from arctic Norway. Scandinavian Society for Prehistoric Art, 5-16. Helskog, K. 2014. Communicating with the world of beings: the World Heritage rock art sites in Alta, Arctic Norway, Oxford: Oxbow Books. Hesjedal. A. 1990. Helleristninger som tegn og tekst: en analyse av veideristningene i Nordland og Troins, Tromso: (A. 1lesjedal). Hesjedal, A. 1994. The Flunters's Rock Art in Northern Norway. Problems of Chronol­ ogy and Interpretation, Norwegian Archaeological Review, 27( 1), 1-28. Hjelle, K. L„ and Lodoen, Т. K. 2017. Dating ofrock art and the effect ofhuman activity on vegetation: Thecomplementary use of archaeological and scienti fic methods. Qauter- nary Science Reviews, 168, 194-207. Hood, В. С. 1988. Sacred Pictures, Sacred Rocks: Ideological and Social Space in the North Norwegian Stone Age. Norwegian Archaeological Review, 21(2). 65-84. Janik L. 2010. The development and periodisation o f White Sea rock carvings. Acta Archaeologica, 81,83-94. Kivikas, P. 1990. Saraakallio. Muinaisetkuvat: Atena. Kolpakov. E. M„ and Shumkin, V. 2012. Petroglily Kanozera, Sankt-Peterburg: Iskusstvo Rossii. Kolpakov, E. M„ Shumkin, V., and Murashkin, A. 1.2009. Канозерекие пегроглифы, Kola Archaeological Expedition. Lahelma, A. 2005. The boat as a symbol in Finnish rock art, in World of Rock Art. Papers presented at the International Conference, ed. Devlet E. G. Moskow: Institute of Archaeology RAS, 359-62. Lahelma, A. 2008. A touch ofred:archaeological and ethnographic approaches to inter­ preting Finnish rock paintings, Helsinki: Finnish Antiquarian Society. Larsson, Т. B„ and Brostrom, S.-G. 2011. The Rock Art of Namforsen, Sweden. The survey 2001-2003, in UMARK Umea: Department of Historical, Philosophical and Reli­ gious Studies, Umea University, Umea, Sweden, 117. Lindqvist, С. 1994. Fangstlolkets bilder:en studie av de nordfennoskandiska kunstank- nutna jagarhallristningama, Stockholm: C. Lindqvist. Linevskii, A. M. 1939. Rock engravings of Karelia Part 1, Petrozavodsk: Karelian 222 223 Scientific Research Institute of Culture. Karelian State Publishing House. Linge, Т. E. 2014. Rorsle gjennom fjordlandskapet - om nyfiinne bergmalingar pa Ilonnhammar i Tingvoll. Viking, LXXVll, 7-36. Lobanova, N. 1995a. Economy and mode o f life of the Neolithic population on the Eastern shore of Lake Onega Lake. Fennoscandia archaeologica, XII( 1995), 103-11. Lobanova, N. 1995b. Petroglyphs of the Kochkovnavolok Peninsula: dating, natural environment and the material culture o f their creators, in Perceiving Rock Art: Social and Political Perspectives, eds. Helskog. K. & Olsen, B. Oslo: Novus Forlag/The Institute for Comparative Research in Human Culture, 359-66. Lobanova, N. 2007. Petroglyphs at Staraya Zalavruga: New Evidence New Outlook. Archaeology, Ethnology & Anthropology of Eurasia. 29(1), 127-35. Lobanova. N. 2014. К вопросу о хронологии и периодизации наскальных изображений онежского озера. Российская Археология, 2014(3), 137-49. Lodoen, Т. К. 2013. Om alderen til Vingen-ristningene. Viking, LXXVI(2013), 7-34. Lodoen, Т. K. 2016. Ritual Landscapes and Borders w ithin Rock Art Research - Papers in Honour of Professor Kalle Sognnes, in Ritual Landscapes and borders within rock art research, eds. Steberglokken, H.. Berge, R„ Lindgaard, E. & Stuedal. H. V. Oxford: Ar­ chaeopress, 67-77. Lodoen, Т. K , and Mandt, G. 2012. Vingen : ct naturens kolossalmuseum for hellerist­ ninger, Trondheim: Akademika. Maimer, М. P. 1975. The Rock Carvvings at Namforsen, Angermanland, Sweden, as a Problem of Maritime Adaptation and Circumpolar Interrelations in Prehistoric maritime adaptations of the circumpolar zone. ed. Fitzhugh. W. W. The Hague/Paris: Mouton Pub­ lishers, 41-6. Mandt, G. 1972. Bergbilder i Hordaland: en undersokelse av bildenes sammensetning, deres natunniljo og kultunniljo, Bergen: Norwegian Universities Press. Mikkelsen, E. 1977. Ostnorske veideristninger - Kronologi og Oko-kulturelt Miljo. Viking. XL, 147-201. Pentikainen, J.. and Miettinen, T. 2003. Pyhan merkkeja kivessa, Helsinki: Etnika Oy. Poikalainen, V, and Emits. E. 1998. Rock carvings of Lake Onega Lake : the Vodla Region, Tartu: Estonian Society of Prehistoric Art. Popov, A. A. 1966. The Nganasan the material culture of the Tavgi Samoyeds, Bloom­ ington: Indiana University. Ravdonikas, V. I. 1936. Naskal'nye izobrazenija Onezskogo ozera i Belogo moija, Moskva: Izdatel'stvo Akademii nauk SSSR. Ravdonikas, V. I. 1938. Naskal'nye izobrazenija Belego moija / Наскальные изображения Еіелого моря. Leningrad. Sarvas, P. 1969. Die Felsmalerei von Astuvansalmi. Suomen Museo, 1969,5-33. Sawateev, J. A. 1970. Zalavruga:archeologiceskie pamjatniki nizovja reki V/g River: cast’perbaja Petroglily /Залавруга. Часть 1: Петроглифы. Leningrad: Izdatel’stvo Nauka. Sawateyev, Y. A. 1988. Ancient Settlements connected with Rock Art in Karelia. Bol- letino del Centro Camuno di Studi Preistorici, XXIV, 45-68. Sawateev, Y. A., Deviatova. E. I., and Liiva, A. A. 1978. Dating of the rock art by the White Sea /опыт датировки наскальных изображений белого моря. Sovetskaja Arche- ologija, 1978(4), 16-36. Simonsen, P. 1978. New elements for evaluating the origin and end of northern Scan­ 2020 TRE 45