Наумлюк, М. В. Региональная литература Кольского Севера XX-XXI века в аспекте идентичности и мультикультурности. Страницы истории и современность / М. В. Наумлюк ; М-во образования и науки Рос. Федерации, Мурм. гос. гуманитар. ун-т. - Мурманск, 2013.

the best northern region because all northern riches aren’t touched. “The Pomors live with passion, risk fishing in the rough sea, work with enjoyment, fight to death. Describing the Russian North, Prishvin unites real and fantastic lines. It is interesting to notice that fantastic and mystical images are caused by forms of the northern country, a palette of northern paints, dead silence, the white nights, powerful rhythms of natural life. The Lapps keep the most ancient forms of life and legends. The Pomors for Prishvin are the embodiment of the national char acter and the basement of the Russian life § 3. The processes of globalization and identification in the North as they reflect in the modern literature of Norway and Russia We don’t reflect all the processes, which are characteristic for the North ern Russian and Norwegian literatures. Among contemporary writers of Norway we choose the novels of Erlend Loe, in which he has described inner world of a modern Norwegian, Hanne 0rstavik writes about globalization impact on life of small settlements in Finnmark and well-known “The Dina’s book” of Herbjorg Wassmo as a description of historical source of the Norwegian’identity. Globalization processes assume the general standards, rejecting of the ba sic national and cultural values. The Cultural type of identity is defined by some common objective elements, such as language, history, religion, customs, insti tutions, and by subjective self-identification of people. But people “can and do redefine their identities and, as a result, the composition and shapes of civiliza tions change over time... In a “very fluid world” people are seeking identity and- as a consequence-security. But in times of rapid social change (it may be globalization) long-standing sources of identity and systems of authority are dis rupted, “established identities dissolve, the self must be redefined, and new iden tities created” (Hantington S.I. The Clash of Civilization and the Remaking of the World Order). HANNE 0RSTAVIK The novel “Love” expresses the author’s opinion about the loss of the long-standing Norwegian traditions, about destruction of a model of behavior and system of archetypes which underlies the national Norwegian character. No wander, the word “love” exists only in the novel title and never uses again. Globalization and transgression are the principal causes of the destruction of traditional values, as Orstavik thinks. At the heart of a plot - one day of life of a small family of mother and the son, Vibeke and Une, who is 8 years old. The main personages are in the center of the big world, which includes not only 114